- FORBRYDELSEN SEASON 3 WAS GREAT MOVIE
- FORBRYDELSEN SEASON 3 WAS GREAT SERIES
- FORBRYDELSEN SEASON 3 WAS GREAT TV
FORBRYDELSEN SEASON 3 WAS GREAT SERIES
We can see the way that other shows, often categorized under the general title, "Celtic Noir", including series such as Broadchurch, Shetland, and Hinterland, are influenced by that line of thinking: "Like Nordic noir then, Broadchurch employs its complex narrative structure to reveal the hidden connections that are at play in society, but hints that those connections may sometimes work on a level beyond any human rationality.
Through those innovative narrative tropes, a new philosophy emerges and DR producer Sven Clausen refers to it as "a theory of interdependence" which dictates that "every individual action will inevitably influence the whole community".
FORBRYDELSEN SEASON 3 WAS GREAT TV
In their article, titled "The Export of Nordic Stories: The International Success of Scandinavian TV Drama Series", Susanne Eichner and Lothar Mikos argue that there is a link between Double-Storytelling and social criticism as that particular narrative structure "refers to always telling stories that are not only entertaining but which also contain larger ethical and social connotations". As far as the narrative structure is concerned, the abovementioned TV series followed the "Double-Storytelling" format which "allows the drama to weave a number of intricate narrative strands (often dealing with ethical, social and political issues) around a single mystery". The element of social realism is deeply embedded in Scandi-crime as "regardless of the production model Scandinavian crime fiction is often claimed to be the vehicle for the urge to explore the relationship between crime and society in a modern welfare state". The strong female lead, the multiple perspective narrative, the social criticism on a supposedly ideal welfare state, a particular sense of location are some of the trademark characteristics associated with later Nordic productions that were multiplied in the following decade.
FORBRYDELSEN SEASON 3 WAS GREAT MOVIE
Both The Killing and The Bridge adopted some of the traits that made this trilogy a must-read and led to its adaptation to an equally highly praised cinema movie series. It should also be stressed that this success was preceded by the publication of Stieg Larsson's Millenium trilogy which signified the beginning of Scandinavian crime fiction's rise on a global scale. Both shows became immensely popular worldwide and they were remade in the United States for English-speaking audiences. Four years later, a Swedish-Danish collaboration gave birth to another notorious Scandinavian show, The Bridge (original title: Bron/Broen), written by Hans Rosenfeldt, who along with Michael Hjorth co-authored the popular Sebastian Bergman book series and Camilla Ahlgren. If one wishes to trace the origins of the Nordic noir phenomenon in television, he ought to travel thirteen years backward in time to watch The Killing (original title: Forbrydelsen), created by Søren Sveistrup, who later wrote the best-selling crime novel, The Chestnut Man.
0 kommentar(er)
